El Naranjero
El Naranjero borrows the visual grammar of American desirability and points it somewhere that grammar was never meant to go. It is a full-commitment act — bright, close, joyful — aimed at a man the culture decided didn't qualify.
View work →El Naranjero borrows the visual grammar of American desirability and points it somewhere that grammar was never meant to go. It is a full-commitment act — bright, close, joyful — aimed at a man the culture decided didn't qualify.
LA Woman
LA Woman is a series of thirty close, face-forward portraits of women who come in all shapes and colors. It asks the viewer to look directly at someone who matters and has worth — and to sit with what it means that this still needs to be said.
View work →LA Woman is a series of thirty close, face-forward portraits of women who come in all shapes and colors. It asks the viewer to look directly at someone who matters and has worth — and to sit with what it means that this still needs to be said.
Brutalism
Brutalism turns concentrated power into a specimen. Two works, bright light, nowhere to hide.
View work →Brutalism turns concentrated power into a specimen. Two works, bright light, nowhere to hide.
